When Fillings Burn by Loïs Bolton
We are delighted to announce the winner of the Dystopian Fiction Prize for 2024 and offer our congratulations to the author of this very popular entry.
The finalists were:
- Eighteen Tomorrow by Hassan Akram
- Simulation or Damnation by Leo Otoiu
Loïs Bolton is studying an MA in Creative and Critical Writing at Liverpool University and is driven by a long-term enthusiasm for how current affairs and social justice influence – and are influenced by – art and culture. “I am drawn to dystopian narratives to explore social and ecological issues through an intimate – and distanced – lens. For me, the Prize is a gateway to networking with others similarly invested in such literature, as well as social responsibility, care, and curiosity. I’m an avid reader and also a bookseller, and am always keen to discuss and develop exciting concepts: dark, hopeful, illuminating, and possibly foreboding.”
Commending the winning entry, professional judge James Keane from Northodox Press said “The author produces a modern and thought-provoking narrative with the expertise of Atwood and Le Guin. Characterisation is poignant and cathartic, with the joyous spirit of humanity and our perseverance.”
Loïs was presented with a bust of George Orwell, to be kept for one year and will also receive a cash prize of £750 and have her entry published in The Orwell Society Journal.
Thank you to all students who submitted stories for the 2024 competition. This year we had the greatest number of entries in the history of the Award and the judges have thoroughly enjoyed reading your work.
Entries open for the 2025 competition in October 2024
The Orwell Society organises an annual short story competition for current students (both BA and MA) at British universities. We look for dystopian narratives of 3,000 words and entry to the competition is free. The winner will receive £750 and the winning entry will be published in the Society’s Journal.
Full details for the 2025 competition will be announced later in 2024.
The professional judging panel includes Richard Blair, the son of George Orwell and Patron of The Orwell Society, as well as other distinguished judges. You can see a selection of the panel here.
The timeline for the 2025 competition is as follows:
- Entries open: October 2024
- Deadline for submissions: TBA
- Shortlist announced: TBA
- Winner notified: TBA
- Award presentation: TBA
All submissions are assessed anonymously.
“Winning the prize is a stellar thing to have on your CV and such a fantastic talking point in an interview.” Holly Domney, winner of the 2016 prize.
Eligibility
- The competition welcomes entries from students who are permanent UK citizens, studying at a UK university. Entries from mature students will be considered.
- Entries must be entirely your own work and by submitting to the competition, you are confirming that this is the case. Any evidence to the contrary will result in immediate disqualification.
- Entries must not have been previously published, self-published or posted online (including on a website or blog).
- Use of AI for entries is not permitted.
- If your entry has been long-listed or shortlisted in other competitions, but not won a prize, it will be eligible.
- You must inform us immediately should your entry be published or win a prize elsewhere.
Entries
- Entries will open in October 2024. The competition is free to enter.
- Only one entry per person is allowed.
- Entries are made by completion of a short online submission form which allows you to attach an anonymised word document of a maximum of 3000 words. No minimum. The title is not included in the word count. We also ask for some brief information about yourself, why you want to enter and how Orwell has influenced your writing.
- You will receive an automated e-mail confirming receipt of your entry. Please check your spam folder.
- The deadline for entries will be announced later in 2024.
- Please ensure you read the rules of the competition carefully before you enter.
Rules
- The story must be presented in 12 pt Times Roman double spaced – with each page numbered and the document ending with a word count.
- Save the file as a Microsoft Word document (.doc or .docx). We also accept pdf versions.
- The file name should be the title of the story only, typed exactly the same as on the document, for example: Animal Farm.
- Do not include your name or contact details in the file title or it will be disqualified.
- Once the story has been submitted electronically, it cannot be altered.
Copyright
Worldwide copyright of each entry remains with the author, but The Orwell Society will have full unrestricted rights to publish the winning entry in the Society’s Journal. Extracts from the story may be used in promotional material, including on social media and on the Society’s website.
If your entry doesn’t comply with all the terms and conditions noted above, it will be disqualified without further notification.
Judging
Judging will take place after the competition deadline closes. The judges’ decision is final and no individual correspondence can be entered into. Judges are unable to comment on individual entries. The Orwell Society reserves the right to change the panel of judges without notice.
Shortlist and Awards
Judges will decide on a shortlist of writers. The number of finalists will be dependent on the amount of entries. Shortlisted entrants will be informed by e-mail on or before the agreed deadline (to be announced later in 2024).
A prize-giving event will be held for the winner. Details to be announced later in 2024.
Advice to entrants
Hopefully this will give you some encouragement and inspiration – good luck!
Holly Domney, City University London’s MA in Creative Writing and Publishing and 2016 winner:
“I took a simple idea and wasn’t afraid to take it to the extreme and make it dark. Always have an agenda when you write, mine was to promote equality between the sexes, what’s yours?”
Eleni Socratous, on the University of Warwick’s BA in English Literature and Creative Writing and 2021 winner:
“My advice is not to be scared to put yourself out there. It can be daunting as it makes you feel vulnerable to let others see your work, but if you want to progress as a writer then you have to take that first step. I highly recommend taking part in such competitions, because it forces you to get out of your comfort zone, while also exposing you to the literary world beyond university. It is not about winning; it is about pressing that “send” button and knowing someone is going to read your work and judge it. It is about having the courage to do that.”